Nobody likes teacher Paul Hunham (Giamatti) — not his students, not his fellow faculty, not the headmaster, who all find his pomposity and rigidity exasperating. With no family and nowhere to go over Christmas holiday in 1970, Paul remains at school to supervise students unable to journey home. After a few days, only one student holdover remains — a trouble-making 15-year-old named Angus, a good student whose bad behavior always threatens to get him expelled. Joining Paul and Angus is head cook Mary (Randolph)-an African American woman who caters to sons of privilege and whose own son was recently lost in Vietnam. These three very different shipwrecked people form an unlikely Christmas family sharing comic misadventures during two very snowy weeks in New England. The real journey is how they help one another understand that they are not beholden to their past-they can choose their own futures.
PRESTON BARTA
We laugh with these characters, cry with them, and just love to be around them. An instant classic
JOHN SERBA
Nothing about his [Hunham’s] and Mary’s and Tully’s stories surprises us, yet we’re powerless to protest, because the movie is just like its characters, and us: Imperfect, and always, always worthy of love.
Lisa Johnson Mandell
The Holdovers will doubtless become an instant Christmas classic, but don’t let that stop you from seeing it any time of the year. The great performances, poignant storyline, acerbic quips and cunning production value are timeless.
Antonio Trashorras
Alexander Payne keeps the maudlin threat at bay and contributes a successful panoply of ’70s and ’80s connections, intimations, and influences to the identifiable formula designed to achieve a ‘beautiful’ film. [Full review in Spanish]